Tracks
- All Or Nothing
- Leave Your Head
About the band
The first song is the shorter of the two at 4:09, and its presentation bears the hallmark crispness of sound that added such a lurking cavernousness to the classic Sunlight records, and the jabbing impact of that riff in “All or Nothing” seems to draw a direct line to Entombed‘s To Ride, Shoot Straight, and Speak the Truth from 1997, as that band began to move out of the death metal style and into their “rock period” before ultimately circling back. Wolves in Haze to well with the marked influence, peppering the forward intensity with dual vocals from Olander and Hansson and a headbang-ready pounding chorus leading to a chugging verse before a post-midsection break of creeper bass leads to a minor-key lead line, the capstone solo and chug that seems to round out before a quick return to the central riff. A sample begins “Leave Your Head,” which thrashes harder initially but still has the same root in filthy low end despite a cleaner vocal in its aforementioned hook. Piano accompanies the break around the halfway point to add an eerie vibe and as they did with the prior track, they pick back up into an instrumental finish, this time with a bookending sample at the close.
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